Along with a soundtrack featuring songs by Adam Ant, Freddie Mercury, Bonnie Tyler, and Pat Benatar, he also increased the film's frame rate to 24 frames per second.
In 1984, Moroder courted controversy from film purists for his contemporary electro-pop score to the restored release of Fritz Lang's silent-era masterpiece Metropolis. In 1983, he produced the soundtrack for Scarface, which included Debbie Harry's "Rush Rush," while that year's Flashdance earned him his second Oscar for the hit "Flashdance.What a Feeling," performed by Irene Cara. In 1980, he composed and produced the soundtracks for Foxes, which included Donna Summer's hit "On the Radio" as well as Cher's "Bad Love," and the American Gigolo soundtrack, which featured Blondie's "Call Me." Two years later, his soundtrack for Cat People was released. In the early '80s, Moroder focused primarily on film music. After one final studio LP, 1980's The Wanderer, the Moroder/Bellotte/Summer team disbanded, and the disco era began drawing to a close. During this time, Moroder also released solo recordings such as 1979's E=MC2 - the first album recorded live-to-digital - and was a member of the disco band Munich Machine. Summer's double-LP Bad Girls followed in 1979, becoming a massive hit and spawning such chart-topping singles as "Hot Stuff" and the title cut. In 1978, Moroder made his initial foray into film music, winning an Academy Award for his score to Alan Parker's Midnight Express. Concept records like 1976's A Love Trilogy and Four Seasons of Love culminated with the release of 1977's I Remember Yesterday, a trip through time which climaxed with the smash "I Feel Love." With its galloping bassline and futuristic, computerized sheen, the single was among the watershed hits of the disco era, and helped propel Summer to new prominence as the reigning diva of the dancefloor. Summer's Love to Love You Baby followed in 1975 the title track, clocking in at close to 17 minutes in length, was an international smash, its shimmering sound and sensual attitude much copied in the years to follow.Īt their mid-'70s peak, Moroder, Bellotte, and Summer were extraordinarily prolific, releasing new albums about once every six months. Around that time, Moroder was introduced to fellow aspiring musician Pete Bellotte, with whom he formed a production partnership in collaboration with singer Donna Summer, the duo was to become one of the most powerful forces in '70s-era dance music, their success beginning with the release of 1974's Lady of the Night.
His first LP, Son of My Father, was released in early 1972 that year, the title track was a number one U.K. He relocated to Munich and established his own studio, Musicland, where he recorded 1969's bubblegummy "Looky Looky," which was awarded a gold disc the following October. After moving to Berlin to concentrate on songwriting, he released a few singles in the mid- to late '60s as Giorgio. His return to dance music in the 2010s - highlighted by his work on Daft Punk's 2013 album Random Access Memories and his own 2015 full-length Déjà Vu - introduced his style to a new generation and underscored his place as a dance music pioneer.īorn in Ortisei, Italy on April 26, 1940, Moroder started his career in music while still in his teens, touring Europe as a guitarist in a covers band.
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In the '70s, with Donna Summer and Pete Bellotte, he crafted a sexy, fantastical version of disco defined by 1975's Love to Love You Baby and its hugely popular title track, plus other hits including 1977's "I Feel Love" and the following year's "Last Dance." As the disco era faded, Moroder translated his futuristic sound into highly distinctive film scores such as 1978's Oscar-winning Midnight Express and 1984's Flashdance and Metropolis. Though his career included early flirtations with bubblegum and glam, Giorgio Moroder is best known as one of disco music's principal architects.
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